As in our day, technological advances also posed their threats. Mr. Jones argues that the printing press destroyed the centrality of the Catholic Church in Europe, but not, as is often claimed, via dissemination of the Bible or the words of Martin Luther. Instead, he insists, the first item mechanically printed was a single sheet of printed vellum, a papal indulgence, or “Pardon.” Purchase of pardons had traditionally allowed people to bypass the penitential rituals the Church required for remission of sins. But for centuries each pardon had to be laboriously copied out by hand. When 50,000 mechanically reproduced indulgences hit the market all at once, the great mass of documents made a very noisy display of the institutional venality of the Church. Luther went on alert. It was, in Mr. Jones’s telling, a “communications revolution,” as the printing press prefigured the cellphone’s disturbing power to disrupt and re-create access to information that reshapes an entire world.
All medieval history is here, beautifully narrated: the falls of Rome and Constantinople, the rise of the Ottomans, the advent of Crusades (a “medieval moon shot”), the origin of Islam, the spread of Christianity, the founding of universities throughout Europe, and the dawning of the relatively short age of chivalry. Massively detailed and informed, the pace of the narrative is as brisk as it must be in a book that covers 1,000 years of history in 600 pages. The vision takes in whole imperial landscapes but also makes room for intimate portraits of key individuals, and even some poems.
Sometimes laugh-out-loud comic and sometimes coldly caustic, Mr. Jones’s wit as a narrator makes the Middle Ages seem very up close and personal. His book is not only an engrossing read about the distant past, both informative and entertaining, but also a profoundly thought-provoking view of our not-really-so-“new” present.
Ms. Quilligan is the author, most recently, of “When Women Ruled the World: Making the Renaissance in Europe.”
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Appeared in the February 2, 2022, print edition as 'Plagues, Princes And Pardons.'